Every Sunday, José Pimentel-Cardoso, a 22-year-old student at Bard Microcalges, Brooklyn, checks in on dozens of his homeowners and plays music for them. He often plays Mort Garson’s 1976 album “Mother earth“
And he has a lot of company. Self-released album featuring 10 wordless tracks created on – a Mog synthesizer To play for its plants – 2019 saw a holy revival when it was remade by Sacred Bones Records, Peak on the billboard Charts for the first time in more than 40 years since its debut, and is being pushed further into writing Hawk, Npr And Guardian.
When Mr. Garson made his albumWarm Earth music for plants and the people who love them, “It was not nearly as popular as it is today. Experimental and expansionist musician Mr. Garson sold his mog in the late ’70s, composing music and opera before his death in 2008.
But now “Plantasia” can follow countless others Ambient Electronic Music Streams. This allows it to reach new, smaller audiences since streaming services such as Spotify and YouTube use recommendation The algorithm Based on users’ prior viewing or listening habits – and can integrate songs like “Plantasia” into playlists “like”Music for plants, “Which has more than 66,000 likes.
Ever since the epidemic began, people have been stuck at home more than ever, and Plant sales are grown.
Though the idea that music can help plants grow Heavy Criticized, Supporters of the practice do not mind. “It seemed nice to do something for my plants, as an extension of self-care,” Ms. Pimentel-Cardoso said.
“Plantasia ‘is one of those albums, some of which have been revisited over the years – which have become popular through the YouTube algorithm,” said music composer Richard Aufrichich, 31 years old. “Plantasia” several years ago for $ 250.
“Now people are selling it for like $ 700,” he said. “It’s entering Nick Drake’s ecosystem, or a rare Beatles pressing.”
And even for the treeless, the album is an easy listen.
“There’s the kind of melancholy that you feel when you listen to it, where it takes you back to this simple time – the dawn of synthesis,” said Nat Sloan, an assistant professor at the University of South Carolina’s Thiston School of Music . And co-host of the podcast Switched to pop.
rest “Plantacea” goes beyond its pleasing sint. “It reminds me that some people name their plants or treat them humanely,” said 25-year-old Shएero Ifaturati in Los Angeles.
During the pandemic, Ms. Ifturati also became more interested in plants. Recently she made her “Plastagram” debut to document new developments, post tips and share plant musking. As she inspects her plants each week for issues, she said it is a reminder to examine herself in many ways, and what she should pay attention to.
Sometimes it also seems symbolic, she said. After her pothos cuttings had been dormant for several months, she removed them to check what was wrong, only to find that their root system was fully developed.
“I felt it was very deep and relevant to the time we are in,” Ms Ifturati said. “It made me realize that this much growth happens under the soil. So much development is fragile, and perhaps not visible to the eye, but certainly happening. “
Hilton Carter, 41, a planter and interior stylist in Baltimore, also said her plants have occupied her land – no pun intended – over the past year.
“Carter said,” there are real, real benefits to having plants that go beyond just aesthetics. “” Plant care is self-care. You find yourself attached to this living thing and caring for the nutrition of something. “
Mr. Carter, who has more than 200 plants in his home, said his collection has helped him feel connected with the road throughout quarantine. When he turns to his plants, he prefers to “keep the vibes light” by playing brisk and relaxed music, keeping his AirPods “more negative, bad-worded music”.
“It’s the little things that matter,” Mr. Carter said. “It is an attention to detail; This is patience; It is softness; It is keeping an eye on minor nuances and changes.
39-year-old Adrien Adar, an artist in Los Angeles, was listening to her plants before quarantine began. In 2019, he had an interactive exhibition “Sonic Success: Plant Sounds and Vibrations”“At the Brooklyn Botanic Gardens, where people could plant cactus and hear how they sounded.
As Ms. Adar began last spring, she gained more attention. “It was like every few days I would notice some growth or I would notice that the plants needed water,” she said. Like his first composer, he was beginning to understand “the time of plant growth”.
And although more than 60 of Pindell-Cardoso’s plants died during the early months of the pandemic, he is now ready for a season of renewal and recurrence, and is again promoting and trending them.
“I’ve never been one, to actually sit and meditate or do yoga,” Ms. Pimentel-Cardoso said. “But I can take care of things, and I can do things that have some sort of satisfaction for me.”